Up for a deep-dive into wireless audio? This article focuses on antennas, cables, combiners and splitters. Read the Mic Uni article here.👇

https://www.ardmediathek.de/video/die-nordstory/die-elbphilharmonie-wahrzeichen-zwischen-himmel-und-hafen/ndr/Y3JpZDovL25kci5kZS9wcm9wbGFuXzE5NjM4MDk1NF9nYW56ZVNlbmR1bmc

Stadtfest abmischen: Der Job als Tontechniker auf einem Stadtfest verlangt eine ausgeklügelte tontechnische Überlebensstrategie.

So holst du alles aus deinem Subwoofer Setup raus!

https://vintageking.com/blog/neumann-originals/amp/?fbclid=IwY2xjawQHJFdleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeDvRq27foxfrDQ_PBLIfKatOgIvw6MmcTpk94dBE-Sb7E2cp-UpygLQu-9Hg_aem_ADJWG7Zzynb0zf5XjRGWyQ

Are you alone? The 2.4 GHz is used for many other wireless services, such as Wi-Fi. Someone else might be using the frequencies you want to use. That's just the first of eight things to troubleshoot if you experience issues specifically related to 2.4 GHz. Get the details of the other seven in this Mic Uni article. 👇

Der deutsche Hersteller Voice-Acoustic veröffentlicht ein Handbuch für gerichtete Subwoofer-Konfigurationen, das Tontechnikern wertvolle Unterstützung beim

You don’t have to pick between DCAs and Groups. In fact, using both together is often the best way to build a powerful, flexible mix. Read on to mix with ease and confidence: https://www.churchproduction.com/magazine/dcas-vs-groups-know-the-difference-mix-with-confidence/ #livemix #churchproduction #foh #mixingconsoles

Here’s what top audio engineers say about the pitfalls of ultra-high sample rates: https://www.headphonesty.com/2025/05/192khz-worse-44-1khz-most-music/

SPAT Revolution’s Relative OSC messages let you change parameters on the fly without needing to know their current values - perfect for live and immersive audio. Find the details here: https://www.flux.audio/2025/07/25/introducing-relative-osc-simplifying-audio-parameter-controls/ #FLUX #SPATRevolution

SPAT Revolution’s Relative OSC messages let you change parameters on the fly without needing to know their current values - perfect for live and immersive audio. Find the details here: https://www.flux.audio/2025/07/25/introducing-relative-osc-simplifying-audio-parameter-controls/ #FLUX #SPATRevolution

https://www.youtube.com/watch?v=zszwnBtZhgI

#6kunited #6kunited! #ssl #ssllive #solidstatelogic #audiopro #melodus

With the help of three videos from Genelec’s Immersive Audio Hub we examine Immersive Audio from the top level. What is it? What is the difference between the formats? Where and how can you listen to commercial Atmos and Spatial mixes and what deliverables are created in an immersive workflow? We ...

Eine kleine Kolumne für die jungen Kollegen (die älteren kennen das ja noch). Wie ging das die Einstellungen an einem analogen Mischtisch zu "speichern"?

Die 4000E war nicht das Ziel. Es war ein Ausgangspunkt. 1985 veränderte Solid State Logic mit der 4000E, wie Musik produziert wurde. Parallel verfasste Colin Sanders, Gründer von Solid State Logic, mit seinem Team ein internes Dokument: The Future of Audio Console Design. Jetzt – fast vierzig Jahre später – folgt die Antwort. Am 24. Juni startet das nächste Kapitel. Begleite Solid State Logic (SSL) zur Präsentation und sei Teil der Studio Revolution: https://bit.ly/44ndvBa #SSL #Produktlaunch #TheStudioRevolution #BePartOfTheStudioRevolution

Full story: https://www.headphonesty.com/2025/03/audiophiles-keep-failing-test-end-amplifier-debate/

Here’s what top audio engineers say about the pitfalls of ultra-high sample rates: https://www.headphonesty.com/2025/05/192khz-worse-44-1khz-most-music/

Here are the preliminary results of my recent survey. Nearly 700 fellow audio professionals (and counting) responded. Thanks a million!!! https://www.merlijnvanveen.nl/en/study-hall/216-mono-or-stereo

Thinking of purchasing an audio measurement software? You should tryout the RDNet Measures from RCF. Its an Audio Analyzer able to measure Magnitude, Phase, Coherence, and Impulse response on a four-inputs real-time measurement system. Link: https://www.rcf.it/en/rdnet-measures Tutorials: https://www.youtube.com/playlist?list=PLv-4ON-DeTk04YMTcMkPaqi4nGb4gShk0

why not tryout the RDNet Measures, its free to explore & you may discover all that you need with it. Link: https://www.rcf.it/en/rdnet-measures Tutorials: https://www.youtube.com/playlist?list=PLv-4ON-DeTk04YMTcMkPaqi4nGb4gShk0

If you have a large, old mic that no longer works, try installing a miniature mic inside the grid and let your friends try your big mic. Most people are fooled into believing this big microphone is fantastic! In fact, we also know of several film productions where our miniture lav macs have been hidden inside mics from other brands - especially handheld mics and the classic 50's-style 'Elvis' mic. If you want more #mictrix, please find them in the below Mic Uni article. 👇👇👇

For Worldwide Release! DRAWMER BOHEMIAN RHAPSODISER Is your latest track not "The best song ever recorded"? Are you lacking five-part harmonies? Mid section missing operatics? Struggling to stay at number 1 for 9 weeks? Fear not, the new "Drawmer Bohemian Rhapsodiser" can change all that and more! "MAGNIFICO!" Rock Ballad Recording Monthly . . . . . #drawmer #drawmerpro #drawmerprofessionalaudio #analogaudio #analoggear #analog #vintagesound #ProAudio #StudioGear #handmadeinbritain #handassembled #handmadeuk #realheritage #buybritish #madeinbritain #aprilfools2025 #bohemianrapsody #Queen

https://www.noz.de/lokales/osnabrueck/video/osnabrueckhalle-ein-blick-hinter-die-kulissen-der-event-location-48462743

Experiments to determine if there is a noticeable difference between using a short speaker cable (approximately 30 ft) and a long speaker cable (approximatel...

Kai Ulrich, live sound engineer for more than 30 years addresses common problems that come up when mixing in small environments and shows solutions. Impresssum: Kai Ulrich, Alfelder Strasse. 3, 28844 Weyhe, Germany Kulrich999@aol.com, +49 421 80901946

New discussion on the paper “Show your scattering coefficients” in the Across Acoustics podcast by Acoustical Society of America, featuring Michael Vorländer from IHTA at RWTH Aachen University. This paper, co-authored by our very own Dr. Stefan Feistel, explores a simplified method for estimating scattering coefficients when working with acoustic simulations. The research presents a solution using an S-shaped curve when estimating scattering behavior as a function of frequency. This paper directly informed the implementation of the S-Curve as a material default property in the EASE 5 Software. Learn the importance of surface scattering in architectural acoustics, how scattering coefficients are measured and used in computer simulations, how an estimated approach works by leveraging tolerance in human sound perception, and how all this concluded in the development of the S-Curve described in the paper. Why is this important? Accurate scattering data leads to better acoustic predictions, improved room designs and superior sound experiences. EASE 5 users can now benefit from this research directly for even more realistic simulations. Listen to the episode here: https://acrossacoustics.buzzsprout.com/1537384/episodes/16664083-show-your-scattering-coefficients Read the full paper here: https://www.afmg.eu/en/show-your-scattering-coefficients-paper #AFMGtechnologies #EASE5Software #AcousticSimulation #AcousticResearch

Willkommen zum Fragebogen für das Level-II-Seminar! Dieser Fragebogen dient dazu, deine Kenntnisse und Fähigkeiten abzufragen, die für die Teilnahme an Level II wichtig sind. Keine Sorge – das ist keineswegs wertend gemeint und ohnehin anonym. Mein Ziel ist es, sicherzustellen, dass du von dem ...

Diese Frage steht im Mittelpunkt einer aktuellen Umfrage im Rahmen einer Masterarbeit der Fachhochschule Münster. KI hat sich längst als fester Bestandteil der Medienwelt etabliert. Während Unternehmen wie OpenAI und Google an immer ...

Sehr spannende Doku! 👍

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Recht unterhaltsam! Gleich mal aboniert. 😄

Want to get the most out of your Ui Mixers or simply want to learn more about the series? Soundcraft Mixers have created a handy video playlist to provide you with all the information you need! Take a look at the playlist 👉 https://loom.ly/Z4eA3c4

Whether you’re working on an analogue or a digital mixing console, here is our Guide to Using FX to Create Space for a Live Performance

Use of overhead mics has the advantage of either being suspended from the ceiling – or on a stand that can position the microphone well above the heads of the singers in the frontline, pointing towards the singers at the back. The task is – at the output of the mix – to make all singers sound equally loud. If the microphones are very close to a few singers and far away from others, the choir sounds like it has fewer members. Only a few voices are heard so the homogenous sound is not present. Great supercardioid microphones exhibit off-axis attenuation of approximately 3 dB at 60°. By pointing to the back, it is possible to obtain equal coverage, front to back. The distance factor, comparing a 60° pickup to an on-axis pickup is approximately 1.4, meaning: A singer positioned on-axis can be 1.4 times further away compared to a singer positioned at 60° (for instance below the microphone). This technique may apply to all choir setups no matter how many there are – two, three or four lines of singers: 1 Point at the singers in the back row. 2 The angle between on axis and the front row should be 60°. 3 The singers in the back row should be 1.4 times further away compared to the front row. Read more about how to mic choirs in the below Mic Uni article.